If you ask me, Claudia Cardinale is, after spaghetti, Italy’s happiest invention — David Niven
Claude Josephine Rose Cardinale
Category: Film
Le Déjeuner sur l’Herbe
1959
Jean Renoir never made any secret that Picnic on the Grass (Le Dejeuner sur L’Herbe) was inspired by the impressionist paintings of his father Auguste Renoir, and also of Edouard Manet and Claude Monet. The near-surrealistic plotline concerns priggish US presidential candidate Paul Meurisse, who carries on a sterile, clinical courtship with Ingrid Nordine. Proposing that he and Nordine have an image-boosting “picnic on the grass”, the scientifically-oriented Meurisse is distracted by the visceral charms of country girl Catherine Rouvel. Previously a strong advocate of “artificial sex”, Meurisse changes his mind after dallying with the lusty Rouvel. Almost childlike in its approach to the material at hand, Picnic on the Grass is one of Renoir’s most playful efforts. ➔ by Hal Erickson, Rovi
Catherine Rouvel
Le Bonheur
Dorothy Dandridge
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| Photo by Gjon Mili ~ Porgy and Bess, 1959
Singer, actress. Born November 9, 1922, in Cleveland, Ohio, Dorothy Dandridge sang at Harlem’s famed Cotton Club and Apollo Theatre and became the first African American woman to be nominated for an Academy Award for best actress... ➔ biography.com
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Limelight
Charlie Chaplin and Claire Bloom, 1952
Filming Limelight
Charles Chaplin made Limelight at the most troubled period of his adult career. In the late 1940s, America¹s Cold War paranoia reached its peak, and Chaplin, as a foreigner with liberal and humanist sympathies, was a prime target for political witch-hunters. It did not help that he had recently been cited in an unseemly paternity suit. Pilloried as he was by the right-wing press and reactionary institutions like the American Legion, it seemed that America had turned against the man it had once idolised.
In this atmosphere, his 1947 film, Monsieur Verdoux with its sardonic view of war, was attacked as being anti-American. Not surprisingly, then, in choosing his next subject he deliberately sought escape from disagreeable contemporary reality. He found it in bitter-sweet nostalgia for the world of his youth – the world of the London music halls at the opening of the 20th century, where he had first discovered his genius as an entertainer.
His story concerns a once-famous comedian who has lost the ability to command his audience. Chaplin said that he based the character on real-life stage personalities whom he had seen lose their gifts and their public – the American black-face comedian Frank Tinney (1878-1940) and the Spanish clown Marceline (1873-1927) with whom he had himself worked as a boy. Clearly he was also thinking of his own present bitter experience of a faithless public.
..Keep reading here ➔ Charlie Chaplin: Official Website
Text by David Robinson / Copyright 2004 MK2 SA
Jean Tourane
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| “As we know, the naive ambition of Jean Tourane is to make Disney pictures with live animals.” Andre Bazin |
Eugene Robert Richee
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| Veronica Lake, 1943 |
Mini Biography ➔ Studio photographer who worked for Paramount Pictures from 1925 to 1935 and took many photos of actress Louise Brooks during her time at Paramount. Richee later worked for MGM and Warner Brothers. Brother-in-law of studio photographer Virgil Apger, who first worked for Richee and was then hired by MGM in 1931. ➔ IMDb
Badlands
Hasta la vista or will he be back?!
Adenoid Hynkel
The Great Dictator, 1940
➔ The Criterion Collection
➔ The Criterion Collection
Final Speech of “The Great Dictator” (also known as “Look Up, Hannah” ) by Charlie Chaplin
Schulz: Speak – it is our only hope.
The Jewish Barber (Charlie Chaplin’s character): Hope… I’m sorry but I don’t want to be an Emperor – that’s not my business – I don’t want to rule or conquer anyone. I should like to help everyone if possible, Jew, gentile, black man, white. We all want to help one another, human beings are like that.
We all want to live by each other’s happiness, not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone and the earth is rich and can provide for everyone.
The way of life can be free and beautiful.
But we have lost the way.
Greed has poisoned men’s souls – has barricaded the world with hate; has goose-stepped us into misery and bloodshed.
We have developed speed but we have shut ourselves in: machinery that gives abundance has left us in want. Our knowledge has made us cynical, our cleverness hard and unkind. We think too much and feel too little: More than machinery we need humanity; More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost.
The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men, cries out for universal brotherhood for the unity of us all. Even now my voice is reaching millions throughout the world, millions of despairing men, women and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me I say “Do not despair”.
The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress: the hate of men will pass and dictators die and the power they took from the people, will return to the people and so long as men die [now] liberty will never perish…
Soldiers – don’t give yourselves to brutes, men who despise you and enslave you – who regiment your lives, tell you what to do, what to think and what to feel, who drill you, diet you, treat you as cattle, as cannon fodder.
Don’t give yourselves to these unnatural men, machine men, with machine minds and machine hearts. You are not machines. You are not cattle. You are men. You have the love of humanity in your hearts. You don’t hate – only the unloved hate. Only the unloved and the unnatural. Soldiers – don’t fight for slavery, fight for liberty.
In the seventeenth chapter of Saint Luke it is written ” the kingdom of God is within man ” – not one man, nor a group of men – but in all men – in you, the people.
tout ceci est magnifique 