Mr. Hitchcock and Mr. Jenkins

Peter Stackpole, Los Angeles, 1939

Alfred Hitchcock at home with his Sealyham terrier, Mr. Jenkins.  (Picasso on the wall or reproduction?)  The photographer described the portrait as “An Englishman spending a winter evening at home,” but Hitchcock titled it “A Dislike of American Fireplaces.”  LIFE

She’s so dandy!

Lily Tomlin
Ernestine: A gracious hello. Here at the Phone Company, we handle eighty-four billion calls a year. Serving everyone from presidents and kings to the scum of the earth. So, we realize that, every so often, you can’t get an operator, or for no apparent reason your phone goes out of order, or perhaps you get charged for a call you didn’t make. We don’t care!

Watch this… [ she hits buttons maniacally ] We just lost Peoria.

You see, this phone system consists of a multibillion-dollar matrix of space age technology that is so sophisticated — [ she hits buttons with her elbows ] even we can’t handle it. But that’s your problem, isn’t it? So, the next time you complain about your phone service, why don’t you try using two Dixie cups with a string? We don’t care. We don’t have to. We’re the Phone Company.   

 ➔  SNL

Miss Gabor

“Being jealous of a beautiful woman is not going to make you more beautiful.”

Long before Anna Nicole Smith or Kim Kardashian, the life and career of Zsa Zsa Gabor personified that of a celebrity whose ascent to fame was due more to grabbing headlines than for any particular talent. Sister to “Green Acres” television star Eva Gabor, the future diva did pursue her own acting career and racked up a fairly impressive list of film and television credits, but she shone brightest on talk shows or within tabloid gossip pages where she delivered juicy stories about her many marriages and romantic encounters in her heavily accented and much imitated purr. She was still making news in her seventh and eighth decades – most notably for spending three days in jail after slapping a Beverly Hills traffic cop in 1989 – when she suddenly disappeared off the radar. Except for the occasional tabloid photo of a wheelchair-bound Gabor, her husband, “Prince” Frederic Prinz von Anhalt, spoke publicly on her behalf, while he made tabloid headlines of his own. Despite living a rather unorthodox life and sustaining a level of fame many felt was unjustified, Gabor sparkled brightly for over 60 years as a symbol of continental glamour and mystery.  Keep reading  ➔  Turner Classic Movies

 
3 Ring Circus

Coccinelle

Those who worried that the Disney studio would collapse without the presence of the late Uncle Walt were put at ease when the profits starting rolling in for The Love Bug. The “star” is Herbie, a lovable little Volkswagen with a personality all its own. Abused by a bad guy race-car driver (David Tomlinson), Herbie is rescued by a good guy racer (Dean Jones). Out of gratitude, Herbie enables the luckless good guy to win one race after another. The real fun begins when the ruthless hot-rodder connives to get Herbie back through fair means or foul. Based on a story by Gordon Buford, The Love Bug inspired two equally lucrative sequels, Herbie Rides Again and Herbie Goes to Monte Carlo.
➔ Hal Erickson for allmovie

1968
1974
1977

Source Internet Movie Poster Awards

Leonid Georgievich Yengibarov

Valery Shustov ~ Leonid Yengibarov, 1968

The Armenian circus clown  performing his trademark handstand. His voice, commenting on acrobatic training, is heard in the background. (ca.1965)

AMORE

Pièce en un acte de Jean Cocteau créée par Berthe Bovy. Décors de Christian Bérard. Crée au Théâtre-Français le 17 février 1930. Ed. Stock

Rossellini’s version of Cocteau’s famous one-woman play, La Voix Humaine, gave Magnani one of her finest moments on screen. The director said he chose the play because it gave him “the chance to use the camera as a microscope, especially since the phenomenon to examine was called Anna Magnani.” Triumphant as the desperate, pleading woman who cannot free herself from the sound of the voice of her unfaithful lover on the telephone, Magnani turned Cocteau’s “opera without music” into a “documentary about a woman’s suffering.”  TIFF

  La Voce Umana directed by Roberto Rossellini, starring Anna Magnani, 1948
  Site officiel du Comité Jean Cocteau