The Flower Arranging Expert

“Dress by Schiaperelli, photographs by Cecil Beaton, flowers by Constance Spry… ‘ The decorator of the moment, the photographer of the moment, the florist of the moment ‘ what more could you ask?” Thus Vogue magazine described the wedding in 1937 of the Duke and Duchess of Windsor, but today Constance Spry is better known as the author of that bible of middle-class housewives throughout the land, The Constance Spry Cookery Book. But who was she? Those of us who recognize the name think only of recipes, but her story is in fact that of a profoundly unconventional woman, who went from a poverty stricken childhood to the height of London society, taking in a career as rich and varied as it was unusual for a woman of her era. Connie began her life teaching slum children and ended it creating the floral displays for the coronation Queen Elizabeth II. Along the way, she escaped a violent marriage, had a lengthy affair with a cross-dressing lesbian artist and built a hugely successful business as a society florist. Today, her influence can be seen in every unorthodox flower arrangement, every ‘natural’ bouquet tied with rattan and, of course, in the gardens up and down the country planted with the Constance Spry rose.

The Surprising Life of Constance Spry by Sue Shepard amazon.com 

Flower paintings of Henri Fantin-Latour

In the final volume of Proust’s A la recherche du temps perdu, Elstir is introduced as “the artist who is cited by connoisseurs today as our leading flower-painter, superior even to FantinLatour.


Juan van der Hamen y Leon?

Master of the Veneration of Maria
ca. 1625
Lilies and thornless Roses in a Glass Vase

This painting is distinguished by the subtlety of
Spanish still life painting. It is the work of one of
the greatest specialists in this genre on the Iberian
Peninsula, Juan van der hamen y Leòn (Madrid,
1596-1631), …

A painting structured in this way certainly con-
tains a moral message. It is meant encourage the
viewer to overcome the vanity of the world, … and
to recognise the presence of God in nature’s di-
versity. … The sole intention of the picture discus-
sed is to encourage meditation on the Virgin and
Christ’s Passion. The transparency of the vase and
the arrangement of the light signify virginity. The
purist vessel for the child is implied. … The vase
rests on a kind of altar or a rounded step (this type
of step is sometimes found in paintings at the foot
of the Madonna’s throne) and is surrounded by li-
lies and roses – flowers linked with the Virgin. In
terms of iconography, roses and lilies stand for the
Immaculate Conception as well as Mary’s humi-
lity and her submission to the will of God. …

Maurizio Marini
Rome, June 1985