Taro

Gerda Taro (1910-1937) was a pioneering photojournalist whose brief career consisted almost exclusively of dramatic photographs from the front lines of the Spanish Civil War. Her photographs were widely reproduced in the French leftist press, and incorporated the dynamic camera angles of New Vision photography as well as a physical and emotional closeness to her subject. Taro worked alongside Robert Capa, who was her photographic as well as romantic partner, and the two collaborated closely. While covering the crucial battle of Brunete in July 1937, Taro was struck by a tank and killed. Taro’s photographs are a striking but little-known record of this important moment in the history of war photography. 

International Center of Photography

A woman in Barcelona training for the Republican militia, 1936

Home is where the heart is

 
For two years in the 1960s, Bruce Davidson photographed one block in East Harlem. He went back day after day, standing on sidewalks, knocking on doors, asking permission to photograph a face, a child, a room, a family…
Davidson’s strobe doesn’t dispel the gloom or glamorize the ruin of the apartments, alleyways, storefronts, and rubble-strewn lots where people stopped to pose for him, but the rapport he established allows those people to surrender to the camera with their humanity intact. —Vince Aletti
Like the people who live on the block, I love and hate it and I keep going back. —Bruce Davidson 
Bruce Davidson: East 100th Street

La grande Magnani

Yousuf Karsh, 1958
Renoir: “Anna Magnani is the complete animal –an animal created completely for the stage and screen…  Magnani gives so much of herself while acting that between scenes… she collapses and the mask falls.  Between scenes she goes into a state of depression…