Maude Fealy

William Burr McIntosh

 
In the first decade of the 20th century, Memphis-born Maude Fealy became the favorite actress of the post-card and cabinet card collectors. Blessed with a gorgeous face and a tumult of dark hair, she generated a photographic legacy disproportionate to her modest skills as an actress. Debuting on Broadway as Eunice in ‘Quo Vadis‘ in 1900, much of her stage career took place in London as a protégé of William Gillete, and later as Sir Henry Irving’s leading lady during his successful comeback in 1906 just before he died. She was perpetually on tour in the United States in vehicles such as ‘Hearts Courageous‘ and ‘The Truth Tellers.‘ She performed in historical dramas and spectacles, but her forte proved to be comedy. When John Cort became her manager in 1906 he increased her popularity by putting her in a series of humorous plays, ‘The Illusion of Beatrice,’ ‘The Stronger Sex,’ and with an occasional sentimental slice-of-life drama such as ‘Louise.’ In 1907 she married a Denver drama critic Hugo L. Sherwin, but refused to live with him, even when threatened with court orders. In 1909 they divorced which she starred in a play titled ‘Divorce.’ She quit the play and secretly married James Durkin, an actor. They performed together in a number of plays, including ‘The Right Princess‘ (1913), an amusing look at ‘mental healing’ i.e. psychiatry. Her career began slipping in the mid-1910s and she began touring vaudeville performin playlets such as ‘The Turn of the Tide.’ Fealy tired of Durkin, divorced him, and in 1920 married John Cort the son of her manager. They lived together for a year before she took to the roads. Cort divorced Fealy for abandonment in 1923. The life of a stock company diva tired on her in 1931 and she headed for Hollywood where she played minor roles in numerous movies. Cecil B. DeMille, who knew her from his acting days, put her in every sound film he made. During the First World War she had made a number of silent films, but her theatrical gesturing then seemed too extravagant.  – Dr. David S. Shields

[18861971]

I am not young enough to know everything

Beatrice Nichols, 1915
Betty Bronson, 1924
Cecilia Loftus, 1906
Eva Le Galienne, 1928
Gladys Cooper, 1923
Jean Arthur, 1950
Maude Adams, 1905
Nina Boucicault, 1905
Pauline Chase, 1907
Marilyn Miller, 1924
Phyllis Calvert, 1948
Jean Forbes-Robertson, 1930
Stephanie Stephens, 1906
Zena Dare, 1906

Two households both alike in dignity…

ACT I

PROLOGUE

  Two households, both alike in dignity,
  In fair Verona, where we lay our scene,
  From ancient grudge break to new mutiny,
  Where civil blood makes civil hands unclean.
  From forth the fatal loins of these two foes
  A pair of star-cross’d lovers take their life;
  Whole misadventured piteous overthrows
  Do with their death bury their parents’ strife.
  The fearful passage of their death-mark’d love,
  And the continuance of their parents’ rage,
  Which, but their children’s end, nought could remove,
  Is now the two hours’ traffic of our stage;
  The which if you with patient ears attend,
  What here shall miss, our toil shall strive to mend.