Flowers in a Vase

Pierre-Auguste Renoir, 1866
As I wandered the forest,
The green leaves among,
I heard a Wild Flower
Singing a song.
 
I slept in the earth
In the silent night,
I murmured my fears
And I felt delight.
 
In the morning I went
As rosy as morn,
To seek for new joy;
But oh! met with scorn.
 
The Wild Flower’s Song
William Blake

‘Tis the Season

He comes in the night! He comes in the night!
He softly, silently comes,
While the little brown heads on the pillows so white
Are dreaming of bugles and drums.
He cuts thro’ the snow like a ship thro’ the foam,
While the white flakes ’round him whirl.
Who tells him I know not, but he findeth the home
Of each good little boy and girl.
His sleigh it is long, and deep, and wide;
It will carry a host of things,
While dozens of drums hang over the side,
With the sticks sticking under the strings.
And yet not the sound of a drum is heard,
Not a bugle blast is blown,
As he mounts to the chimney-top like a bird,
And drops to the hearth like stone.
The little red stockings he silently fills,
Till the stockings will hold no more;
The bright little sleds for the great snow hills
Are quickly set down on the floor.
Then Santa Claus mounts to the roof like a bird,
And glides to his seat in the sleigh;
Not the sound of a bugle or drum is heard
As he noiselessly gallops away.
Santa Claus
Anonymous, 1880

Jackpot

David Klein ~ Las Vegas TWA, 1965

INT. SERA'S BEDROOM - NIGHT

Sera wakes and Ben comes in and gets into bed with her.

SERA
How are you doing?

BEN
Very well... umm... I never
expected to have to ask you
this again... but how did our
evening go? I remember
getting to the casino... I
remember kissing you... that
was really nice but
everything after that is a
blank.

SERA
Well - I was prepared for
worse, but it wasn't so bad.
We were sitting at the bar,
talking about blackjack. You
seemed just fine, a little
drunker than usual, but
nothing really strange, but
then your head started to
droop and I put my arm on
your shoulder and then, wham,
you swung you arm at me, and
fell backwards off your stool
into a cocktail waitress. You
smashed everything on her
tray, it was a real mess. You
kept yelling and yelling.

BEN
Oh, and what did you do?

SERA
I tried to shut you up and
help you to your feet but you
kept swinging at me - not
like you wanted to hit me,
but more just waving me away.
Security came and when you
saw them you stopped yelling.
They wanted to carry you out
and dump you on the street,
but I talked them into
letting me walk you out.

BEN
That's impressive. How did
you do that?

SERA
I told them you were an
alcoholic and T would take
you home. I also promised
that we would never come in
there again.

BEN
We?

SERA
Yes, we.

BEN
(holds her hand)
What happened then?

SERA
You were OK for a while, so
we walked for about a block
and then you said you wanted
to go home and fuck, but I
think even you knew that
wasn't going to happen. We
got a cab and you asked him
to stop at a liquor store,
even though I told you that
we had plenty at home. In the
store you gave the kid a
hundred and told him to keep
the change. I asked you if
you knew it was a hundred.
You said you did, so I let
you do it. We got here, you
fell asleep on the couch and
I covered you up and came to
bed.
 Leaving Las Vegas, Mike figgis 1994

La Roulette

Jean Metzinger, 1926
Schiller & Bodo

When on the present occasion, I entered the gaming-rooms(for the first time in my life), it was several moments before I could even make up my mind to play. For one thing, the crowd oppressed me. Had I been playing for myself, I think I should have left at once, and never have embarked upon gambling at all, for I could feel my heart beginning to beat, and my heart was anything but cold-blooded. Also, I knew, I had long ago made up my mind, that never should I depart from Roulettenberg until some radical, some final, change had taken place in my fortunes. Thus, it must and would be. However ridiculous it may seem to you that I was expecting to win at roulette, I look upon the generally accepted opinion concerning the folly and the grossness of hoping to win at gambling as a thing even more absurd. For why is gambling a whit worse than any other method of acquiring money? How, for instance, is it worse than trade? True, out of a hundred persons, only one can win; yet what business is that of yours or of mine?
 
The Gambler, Fyodor Dostoevsky

The Road to Reno

Inge Morath ~ Reno, Nevada, 1960
 

Inge Morath’s first trip across the United States followed a red grease-pencil line drawn by her traveling companion, Henri Cartier-Bresson, from New York through Gettysburg, Memphis, and Albuquerque to Reno. In 1960, the two were among 18 photojournalists commissioned by Magnum to document the Nevada set of Arthur Miller’s film The Misfits. The destination was a momentous one for Morath, both for her remarkable photographs on location as well as her initial encounter with Miller, whom she later married after his divorce from Marilyn Monroe. But it is Morath’s documentation of the 18 days in traveling to the set, collected here in both photographs and written entries, that in its casualness as a travel diary begins to unfold her carefully observed, insightful, and compassionate approach to reportage. The Road to Reno 

A sense of humour

The following pictures are selected
from the two volumes of Gavarni’s
“Oeuvres Choisies” published by Hetzel,
Paris 1846-8. In choosing them the
publishers have been careful to exclude any
illustrations likely to offend English taste
or too local in interest for the allusions
to be generally intelligible.
***
Selected images from Humorous Masterpieces, No. 2
Pictures by Paul Gavarni
GOWANS & GRAY, Ltd.
1906